JAEH Archive / Vol. 40, No. 3, Spring 2021

Table of Contents
ARTICLES
By: Lon Kurashige
Abstract
Recognizing the centrality of race in US immigration and ethnic history—what is known as the field’s “racial turn”—has been advocated, applauded, and globalized; but it has yet to be examined from a theoretical perspective. To better understand the appeal and limitations of the field’s race-centered analysis, historians can profit from studying the contemporary development of race theory, as well as the revisionism against it. There is a vigorous debate among social scientists about the significance of race. This article addresses this debate, especially from the revisionist side. In so doing, it highlights revisionist Andreas Wimmer’s model of ethnic boundary making, and explores its insights for the study of Japanese American internment during World War II.
By: Kathryn Vaggalis
Abstract
The stories of early twentieth-century Japanese picture brides—women in arranged marriages coming to the United States to meet the immigrant men to whom they were married by “proxy” according to the popular press—are widely known in memory, scholarship, and popular culture. Less is known about their Southern European counterparts—primarily women from Greece, but also Italy and Armenia—coming to the country at the same time, and to much less public outcry and legislative restrictions. Yet as this article demonstrates, the title of “picture bride “ was prominently and popularly applied to Southern European and Japanese women alike as a politically charged racial signifier that provides nuance to the complex yet fluid racial hierarchies of the early twentieth century. This article closely examines popular media depictions of “off-white” picture brides using Greek immigrants as a case study—the predominant European group practicing picture marriage from 1907 to 1924—to demonstrate the quotidian ways that audiences learned the politics of race and immigration through seemingly apolitical messages about family, marriage, and romantic love. This work argues that far from being a mere footnote in Greek American history, picture brides and their popular depictions in national newspapers were critical symbols of Greeks’ transition from “in-between” white others to ethnic white Americans. By contextualizing picture marriage as occurring across a diverse racial hierarchy, this work illumines the ways that white supremacy acts in contradictory, often hypocritical ways, excluding some groups while excusing and including others.
By: Christopher Joseph Cook
Abstract
Coordinated, violent political attacks increased throughout the months leading up to the 1868 presidential election in New Orleans and the surrounding area. Among the various Democratic organizations involved in election campaigning and voter intimidation, the group that received the lion’s share of credit for political attacks was the Innocents. The Innocents were a multi-lingual organization, made up mostly of Sicilians and other immigrants from modern Italy, but the club was helmed by well-connected Creole gentlemen. This paper explores the alliance between the Innocents’ Creole officers and Italian membership. That New Orleans’s fledgling Italian community found itself at the forefront of coordinated Democratic Party efforts to suppress the black vote calls into question the characterization of this group as non-white: Italian immigrants could support and benefit from white supremacy while continuing to experience prejudice. Such alliances have a history in New Orleans, where before the Civil War the local Know-Nothings held the unusual policy of embracing Catholics and even courting the immigrant vote. Indeed, several former Know-Nothings and their allies can be found among the Innocents’ leadership. Not all of the Innocents supported their organization’s role in the reactionary violence of 1868, and the actions of the club’s liberal members provides interesting complications to the Democratic Party’s courtship of the Italian community in New Orleans. This paper concludes by tracking the Innocents into their next iteration, as the Columbus Legion, and the association between the Democratic Party and Italians in New Orleans through several elections and state constitutional conventions.
REVIEWS
By: A. K. Sandoval-Strausz
By: Kristin Kobes Du Mez
By: Albert S. Broussard
By: David Robles
By: Sarah Schrank
By: Llana Barber
By: Lawrence M. Friedman
By: Adrian Burgos Jr.
By: Kathryn Schumaker
By: Lori A. Flores
By: Christy Clark-Pujara
By: Maria Cristina Garcia
By: Anelise Hanson Shrout
By: Alan M. Kraut
By: Dennis J. Aguirre
By: Debbie Z. Harwell
By: Eddie Bonilla
By: Sandra Siomara Sánchez
By: James F. Brooks